kino avantgarde


Reihe: kino avantgarde

UK 2006-2008 | engl. OF | 65 Min.
Fünf frühe Kurzfilme des zeitgenössischen britischen Filmemachers und Künstlers Ben Rivers. Rivers arbeitet unabhängig, filmt und produziert seine Filme selbst. Das gemeinsame Thema seiner Filme sind ausgefallene Porträts von unkonventionellem Leben, „von Einsiedler-Figuren, mit der Natur in Einklang lebende Hippies, die als Gegenentwurf zur auto-destruktiven Industriegesellschaft dienen.“ Rivers 'Filme sind mitfühlend, elliptisch und mehrdeutig.
„Ben Rivers beweist mit seinem Gespür für die Erhabenheit von Landschaften, dass Locations nicht nur atmosphärisch prägend sind, sondern auch – anstelle des Menschen – zum zentralen Subjekt von Filmen avancieren können. Inseln und Wüsten, dienen ihm als Protagonisten, Schnee, Wasser, Nebel und Rauch als Nebendarsteller… So oszillieren Rivers’ Werke zwischen dem Look des Stummfilms, der Verspieltheit des Experimentalfilms und den unendlichen Möglichkeiten der CGI-Ära. Die Narration springt zwischen Urgeschichte, der 68er-Epoche mit ihren ökologischen und zivilisationskritischen Paradigmen sowie der in die Zukunft projizierten Endzeit hin und her. Dies lässt Rivers’ Filme wie aus der Zeit gefallen, ja zeitlos wirken – so zeitlos wie die von ihnen transportierten Vorstellungen von Apokalypse und Utopie.“ (Martin Gobbin)

The Coming Race
UK, 2006, 5 Min.
A hand processed film in which thousands of people climb a rocky mountain terrain. The destination and purpose of their ascension remains unclear. A vague, mysterious and unsettling pilgrimage fraught with unknown intentions. The title 'The Coming Race' is after a Victorian novel by E.G.E. Bulwer-Lytton, about a race of people who live under a mountain.

This Is My Land
UK, 2006, 14 Min.
A portrait of Jake Williams - who lives alone within miles of forest in Aberdeenshire, Scotland. Jake always has many jobs on at any one time, rarely throws anything away, is an expert mandolin player, and has compost heaps going back many years. He has a different sense of time to most people in the 21st Century, which is explicitly expressed in his idea for creating hedges by putting up bird feeders. It struck me straight away that there were parallels between our ways of working - I have tried to be as self-reliant as possible and be apart from the idea of industry - Jake's life and garden are much the same - he can sustain himself from what he grows and so needs little from others. To Jake this isn't about nostalgia for some treasured pre-electric past, but more, a very real future.

A World Rattled of Habit
UK, 2008, 10 Min.
A day trip to Suffolk, to see my friend Ben and his dad Oleg…

Origin of the Species
UK, 2008, 16 Min.
A film begun as a portrait of S, a 75 year old man living in a remote part of Inverness-shire. S has been obsessed with Darwin's works for much of his life. Since a child he has wondered at life on Earth and, though he never became an academic, found in Darwin many answers to his questions. The film images concentrate on the mysterious geography of his world; his garden - from the microcosmic to the grand; the contraptions and inventions he's made; his isolated patch of land where he has built his house after a life of travelling and working around the world. The soundtrack has S heard discussing his take on life on Earth and humans place upon it. The film attempts to span from the beginnings of the world up to an uncertain future.

Ah, Liberty
UK, 2008, 20 Min.
A family's place in the wilderness - living, working, playing on a farm throughout the seasons; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at a sense of freedom, the scale of which is reflected in the hand-processed Scope format. There's no particular story; beginning, middle or end, just fragments of lives lived.